Directors like Abderrahmane Sissako, as well, represent an increasingly emotionally complex, philosophically sophisticated and sensitive type of African Cinema. Explore and connect the world through a cinematic lens, The Ugandan action comedy that became an internet sensation heralds the future of African Cinema. It marks a totally different kind of African film- one that is not about reflection, introspection or announcement. We need more African filmmakers and more African academics, growing up with better resources and a more varied cinematic canon to draw upon. (There are, of course, other notable landmark films in African and African-American Cinema, such as Cheryl Dunye’s, African Cinema (or what could also be referred to as Post-Colonial African Cinema, but I believe this terminology to be inaccurate) was born in 1963 with the release of Senegalese filmmaker Ousmane Sembene’s short film, There were many incredible African films made during this period, but even today many of them are hard to find. Hand-painted by Wakaliwood artists on bark cloth, a natural, Ugandan fabric traditionally used as a burial shroud - we use it for painting! Who Killed Captain Alex? Nabwana has developed an international outlook far earlier than any of the Hollywood studio moguls ever did. It can certainly be problematic to assume Who Killed Captain Alex? Virality was clearly not Nabwana’s intention, but his creation has amassed a cult following who have sustained the film’s popularity on social media. “Bruce Lee was famous here, and I think he is one of the few Chinese who sold the Chinese image in Uganda… [he] made a very remarkable impact on us,”. With Tyler Perry, Matthew Fox, Rachel Nichols, Edward Burns. It is not imitating Hollywood, but shows the same potential. Phase Three: Overcoming The Past (2010-Present). Haile Gerima’s Sankofa and Roger Gnoan M’Bala’s Adanggaman are, to my mind, two of the best films from my self-defined second phase of African Cinema. Percent Change From Preceding Period in Real Gross Domestic Product.” Accessed Dec. 27, 2020. A recent documentary saw Nabwana visit China, as part of the latest Wakaliwood epic, As it becomes the largest film market in the world, Western filmmakers are scrambling for Chinese money with very mixed results –, It can certainly be problematic to assume, What Black Panther's Success Means For African Cinema, If Indian Movies Want Bigger Profits, They Should Focus on China, "Wolf Warrior 2" Shows a New Kind of Chinese Patriotism—That Speaks to Overseas Chinese, Interview: Berni Goldblat, Director of "Wallay", Review: "The Cursed Ones" and the Burden of History. The tactics and strategy for both the initial attack on the Tiger Mafia base and the final assault to kill Richard is basically a. It is an attempt at commercial, mainstream entertainment. is a 2010 Ugandan action-comedy film written, produced, and directed by Nabwana Isaac Geoffrey Godfrey, in Wakaliwood, an ultra low-budget studio in Kampala, Uganda. That alone demonstrates a shift in the kind of stories being told in Africa, by Africans. Virality was clearly not Nabwana’s intention, but his creation has amassed a cult following who have sustained the film’s popularity on social media. Votes: 7,203 I believe that, for the sake of simplicity within this article, African Cinema’s history can be broken down into three broad phases. A real pageturner. Briefly, my definition of the three phases of African Cinema- which I believe also roughly applies to African-American Cinema as their developmental stages, in the broadest possible sense, run almost in parallel- is as follows: Phase One: Distinctly Independent Cinema (1963-1993 approx.). VJ Emmie lampshades the use of totally inappropriate music as the Tiger Mafia gang doing an. It cannot be argued that Africa Cinema is in its infancy, especially as it is a continent which contains the world’s third largest film industry, Nollywood. The novel makes some assumptions and some explicit arguments about female sexual agency and the madonna-whore dichotomy which are certainly questionable and which demand detailed discussion. Respekt an DerLindi das er so einen Film ausgewählt hat und besonderen Respekt an die Menschen die hinter diesem Film stehen und die hier mit einem gigantischen Budget von 200! Africa was becoming increasingly independent, in terms of sovereignty at least, during the time of these films. But Who Killed Captain Alex? Nigerians on Tuesday lambasted soldiers of Operation Safe Haven for their reckless killing of a polytechnic student, Muhammed Mado, who was attending a wedding alongside his relatives in Dengi in the Kanam Local Government Area of Plateau State. He inadvertently capitalized on the crossover appeal of genre films, and through his love of vintage Martial Arts movies has developed the kind of relationship with the Chinese market that no other African filmmaker has done. Of those that exist, African films are not as popular as international fare so are not as commonly exhibited. They see no need to reach out beyond their receptive audience, and in the face of Globalism that is a poor move. On Friday night’s Gold Rush, Parker Schnabel’s team is trying to move a huge trommel down the road to the airstrip. Read it! How can conversation turn to National Cinemas when the vast majority lack an awareness of the vast distinctions between African nations and their cultures? These are the tactics of Silent Cinema, as previously mentioned. Upon hearing the tragic news, his brother investigates to avenge Alex. became a viral hit for several reasons, one of which is the kind of film it is- a piece of Genre filmmaking. TVTropes is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. It just makes everything comedic for some reason. No other African film can boast this kind of influence or success. (There are, of course, other notable landmark films in African and African-American Cinema, such as Cheryl Dunye’s Watermelon Woman, but the three aforementioned examples have penetrated the public consciousness to a far greater extent). Progress was being made, of course, but it’s hard to identify any notable cinematic movement or evolution of Africa’s film industries in a business sense. This represents a much-needed evolution in what sort of African stories were being told. Who Killed Captain Alex? The fact they are masterpieces has ensured they are more than just an interesting historical marker. A recent documentary saw Nabwana visit China, as part of the latest Wakaliwood epic Bruce U was shot in the South Shaolin Temple, and features Chinese actors. Adanggaman is a scathing examination of Africans’ role in the Atlantic Slave Trade. If you are to build a film industry, we have to start from children… My dream is seeing a big studio with the young generation learning how to edit, direct and write scripts. the statue clones itself and crushes a mafia helicopter, they fly by the Christo Redentor, which comes to life and stops the tower, the hard drives containing the footage were wiped in a power outage, At one point, the camera pans over a flock of marabou storks, and the Video Joker seemingly randomly remarks, "Dinosaurs.". African Cinema, as advanced as it was becoming, was not truly independent from forms of European influence. Director: Nabwana I.G.G. Many films from this phase feel more like poetic contemplations than aggressive critiques. | Stars: Kakule William, Kakule Wilson, Sserunya Ernest, G. Puffs. Who Killed Captain Alex. There were many incredible African films made during this period, but even today many of them are hard to find. Soviet ships’ officers would have been familiar with the story of Aleksandr Dudnik, the captain of the Aleut, the only factory ship the Soviets owned before World War II. doesn’t have this problem. Americans know their Cinema, as do British people, Chinese, Australian, French… but do Africans? One look at Wakaliwood’s growth, and its continued international attention through various press outlets and film festivals, draws very promising comparisons- but on Wakaliwood’s terms. Read more about Where's John Wayne When You Need Him? Limited edition of 25, signed and numbered. So what does Who Killed Captain Alex?, a film whose narrator blurts out “dinosaurs” with no context as its hero hides among a flock of Pelicans, have to do with these masterpieces? 723 films watched. And the movie seems to be pretty cynical about it. Before the conversation can advance, it needs to really get started. The Internet truly democratizes filmmaking, and Who Killed Captain Alex? arrived on YouTube to little fanfare, until it quickly exploded into the most-exposed piece of African filmmaking ever. The film was made for over a year and a half in early 2010 on a budget of less than US$85(215,000 Ugandan shillings; or about $256 at Uganda's 2010 private consumption PPP conversion factor), which was raised via crowdfunding websites and donations. Crucially, Who Killed Captain Alex? There are not enough movie theaters, or digital platforms that are accessible to African audiences. bmun uses Letterboxd to share film reviews and lists. Distasteful and ludicrously plotted, I Know Who Killed Me is a career nadir for all involved -- particularly Lindsay Lohan in a dual role. Through Wakaliwood, Uganda is at the forefront of business and cultural relationships with China and its resources. It indicates a way forward for African Cinema to become a more vocal force on the world stage, and looking at the making of this ludicrously entertaining film is a great way to chart the evolution of African Cinema in the last 55 years, which draws certain parallels to the birth of Western Cinema. The entire adventure is (sorta) narrated by VJ Emmie (who is known in Uganda to narrate other films), a video joker—a commentator/translator who will occasionally add their own input, crack jokes, or just shout out random words. There is no other film quite like Who Killed Captain Alex?, and despite the obvious influences of Western action films and Chinese Martial Arts films, it does not strictly adhere to their traditional structures. Just the fact they exist is enough of a milestone. It only makes sense these shared interests would include the arts as well. Fan Videos! As Wakaliwood becomes ever bigger, their outward look is what will usher in the fourth phase of African Cinema- one that the world will be watching. Nabwana’s maverick approach is markedly different to other film industries within Africa, leading him to the kind of success they have been unable to achieve. As far as I’m concerned, this is the best way to overcome traditional hesitance to African fare- until distribution and exhibition models improve within Africa, then it is offering far more universal entertainment that will attract the world to what African Cinema has to offer. The fact it is a piece of Genre cinema is crucial, too. And a bold coming-of-age gay love story depicting a truly African-American experience that successfully crossed over into the mainstream and awards glory. It is this sincerity that will attract international audiences in the long-term. 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